Over the last week I’ve been fleshing out some new ideas for the sequel to Necrotic City. Some have asked “But what happens to the city?” and this is for them. It’s also for all the people Adrian left behind. I’m really excited about this project and I hope you will be too!
In the wake of the discovery of an asteroid on a collision course with Earth, the United States government scrambles to contain the news before it can spark a panic– but some secrets are too big to keep. Soon they aren’t the only ones rushing to devise countermeasures.
Their most viable competitors are the Chinese, and a global megacorporation to end all megacorporations: Stormhaven, founded and run by uber wealthy reclusive genius Colton Taylor. (Think Elon Musk, but considerably more altruistic and an all-around decent human being.)
Set in a near future where the US Department of Defense and NASA have only become more encumbered by bureaucratic gridlock (and in NASA’s case, insufficient funding,) private sector technologies have evolved leaps and bounds beyond that of the public sector. As such, Taylor’s Stormhaven may be the only real hope Earth has. There’s just one problem: private spaceflight is strictly forbidden, not just in the US, but on a global scale. In light of the strained political climate of impending doom, the last thing the US government wants to do is grant Stormhaven permission to reach space.
The tense and at times disastrous narrative that evolves from this situation is equal parts grim and inspiring. Stormhaven Rising represents an interesting blend of genres: part political thriller, part hard scifi, and part impending disaster. Together they make for a fun and fascinating read.
What follows is the first chapter of a new work in progress called Interference. It has yet to be seen whether this will wind up being a short story or something longer, but right now my money is on something longer.
Content warning for brief references to torture and grievous bodily injury.
Kay’s treads just weren’t made for off-road travel. After nearly losing his balance and sliding back down a particularly rocky slope, the battered librarian climbed to his feet and took stock of his surroundings.
Rocky soil stretched up the rutted trail in front of him, framed on either side by scrubby alder and arctic birch. Ahead, over the shoulder of the hill, the antennas of a radio tower farm stretched into the cloudy sky. Kay removed a crushed alder leaf that had become caught in the hinge of his right elbow and allowed himself a moment to stare longingly at the antenna array, lost in its hypnotic song.
Let’s talk believable antagonists and realistic sources of conflict.
I’m not going to get into the four types of conflict, or six, or however many it is now. I am going to talk about creating a believable antagonistic force, rather than one of those cardboard caricature, source-of-all-evil bad guys.
The concept of a having one person be the source of all of a story’s conflict has always seemed overly simple to me. Either the antagonist has help, or the protagonist’s problems are going to be disappointingly simple to solve. A lone enemy, unaided, is easy to overcome.
Paul L Arvidson’s Dark is an unexpected hybrid, part science fiction and part heroic fantasy. The residents of the place known as the Dark inhabit a labyrinth of pipes and drains surrounding a central aqueduct known as the River, and readers will quickly realize that it is a created world rather than an organic one.
Dun, a budding shaman, and his boisterous friend Padj, along with a clever alchemist named Tali and their mysterious guide, Myrch, are tasked with following the River to its source and finding out what has become of their clan’s upstream neighbors.
The Stolen Moon
When the largest of the planet’s three moons finally slid free of the horizon, everyone on the research team looked up in awe.
“I don’t think that moon always belonged to this planet,” Senior Geologist Shayna Darris said.
“The hell are you mumbling about?” Mission Commander Jason Haze snapped, barely glancing up from putting together a portable security turret. “Get back to work, all of you. It’s going to be dark soon.”
“Take a chill pill, Commander,” one of the mechanics shot back. “There’s nothing hiding in the dark. Sit back and enjoy the moonrise.”
“Surely you see it too,” Darris said, nodding toward the massive red moon, its face dominated by a circular impact crater.
“See what? It’s a moon, for Star Mother’s sakes! The system surveys say it’s always been there.”
“2B6V is tidally locked. If it’s always been there, how did it get that impact crater?”
Grounded: A Dragon’s Tale follows a young dragon named Manycolors who has been burdened with the care of a flightless sibling. The narrative takes short breaks to focus on a human youth named Hote, who battles a mysterious illness as he works with the Watchers studying the dragons’ planet.
With its themes of misfit youngsters, youthful rebellion, and the looming threat of greedy poachers, I quickly formed suspicions regarding how the story might turn out. I’m thrilled to report that the author broke out of those tropes to create something unique, intriguing and unusual.
Within the pages of Ruhanna’s Flight and Other Stories, author Jeanette O’Hagan spins tales of shapeshifters and seafaring peoples, youthful struggles, first loves, enduring loss, and incredible courage. All but a few of the stories are set in the world of Nardva, and some of the characters will be familiar to readers of O’Hagan’s Akrad’s Children.
Today on the author blog, Leland Lydecker reviews the second novel by author Leighton Dean.
The aptly-named Save Our Souls follows pilot and Captain’s son, Ford, and his family, the crew of the freighter Jian Seng, as they fight to survive in the face of an unholy trinity of catastrophes. The seemingly lifeless ship that barreled into their craft is only the first salvo of a universe that seems intent on eliminating the crew of the Jian Seng in the most unpleasant ways possible.
Welcome to the Madhouse chronicles the adventures of Dr. Grace Lord as she begins her residency aboard the medical space station Nelson Mandela. Plenty of challenges are in store, from eccentric surgeons to a dangerously manipulative psychiatrist to an alien super-virus, but Dr. Lord is not entirely on her own: she soon finds an unlikely ally in Bud, an android gifted with artificial intelligence.
In fact, Bud is more than just sentient: he feels human emotion. And from the moment he lays optical sensors on the extremely talented, smart, and beautiful Dr. Grace Lord, he falls madly in love with her.