This article examines a small, empathy-deficient subset of the writing community. However, the advice given can help anyone who wants to ensure that their characters possess depth and realism.
Have you ever read a book where the protagonist, no matter who he’s supposed to be, sounds like an old conservative white guy? And you think, Ok, he’s not very relatable. In fact, he’s kind of a jackass. But maybe this character’s going to learn something and grow into a better person as the story progresses.
Then you realize that the plucky young Latina sidekick also sounds like an old conservative guy. And so does the working-class Joe who helps them escape from the antagonist. And the down-on-her luck single mother at the diner who waits on them. And their cab driver… And you start to feel like, instead of writing a flawed protagonist, the author is maybe only capable of writing one type of character. And that character is very flawed indeed.
The problem is, the author doesn’t realize it because (surprise twist) he’s an old conservative white guy.