This article was inspired by a discussion in a writing group, and a series of questions that were posed about the inclusion of trigger warnings in books. But first, a word on what trigger warnings are –and what they aren’t.

Trigger warnings attempt to forewarn audiences of content that may cause intense physiological and psychological symptoms for people with Post Traumatic Stress Disorder. People with PTSD have physical, emotional, and mental symptoms that are triggered by stimuli that is similar to the trauma the individual experienced. Hence the “trigger” in trigger warning.

Individuals do not have control over what triggers their PTSD, but many have personal strategies to cope with triggers when encountered. Those strategies work best when the trigger is expected, hence the importance of warnings: they give people the forewarning necessary to put on their metaphorical armor, or to decide not to partake in that particular media.

Trigger warnings aren’t meant to warn people of content they might find offensive. Unfortunately, the rise of “Lol ur triggered!” troll culture has led to a shift in how the term is perceived.

Continue reading “Trigger Warnings In Writing”

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KDP Print

As most authors who used CreateSpace are aware, last fall Amazon axed the service in order to increase enrollment in their new KDP Print program. What follows is an account of my transition to the new service and how books printed by KDP compare to those from CreateSpace.

This tale holds a couple of important caveats for anyone with books currently being printed by KDP. You’ll also probably get the feeling that I’m not a huge fan of Amazon– and it’s true, I’m not. I’m not a fan of any massive, industry-dominating corporate entity that makes a few people disgustingly wealthy at the expense of buyers, small businesses, and content creators.

Continue reading “KDP Print: A Word of Warning”

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Editor dictionary definition

Last week I explained why editing is essential to the publishing process and how to go about snagging your very own helpful editor. This week I’m going to explain some money-saving shortcuts you can take to reach a professional, polished final product without breaking the bank.

While you should never forgo professional editing entirely, there are plenty of things you can do to produce a cleaner manuscript that will require less professional help.

Continue reading “Editing On A Budget”

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Editor dictionary definition

Continuing from last week’s post, where I talked about the reason some writers are wary of editors, this week I’m going to explain how to find an editor of your own. (Or editors, if that’s how you roll.)

Editing is an essential part of preparing your work for publication, whether you write short stories, novellas, or full length novels. No matter how strong your-self editing game is, a manuscript can always benefit from a second, trained set of eyes.

Here’s why.

Continue reading “How to Catch an Editor And Why You Should”

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Editor dictionary definition

If you ask a random sampling of indie authors how they feel about editors, you’ll probably get a wide range of responses.

Some have worked with editors they loved from the start. Some had a few false leads before they found the right editor. And many have a notebook full of advice on what (and occasionally who) to avoid. (That advice can vary from author to author, especially on the subject of what an editor should charge.)

Lastly, especially among the unpublished and those who haven’t worked with an editor, you’ll probably find a surprising amount of distrust and dislike. Some people attribute this to fear of criticism. The thing is, it’s not that simple.

Continue reading “Editors: Trust, Confidentiality, and Mutual Respect”

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Writing from a state of exhaustion

As a night owl and someone who typically requires nine hours of sleep, I’m well acquainted with exhaustion. It’s been a constant companion for most of my life.

In addition, exhaustion and depression go hand in hand for me. Exhaustion sucks the light out of life. The world becomes a grey, flat place where I can’t remember being happy. The future is a grey landscape, dull and pointless, stretching on without end. I can’t imagine enjoying anything, and I can’t imagine that changing.

You might scoff and assume that this is laughably easy to cure. In my case, you’d be wrong.

Continue reading “Writing From A State of Exhaustion”

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No, not that kind.

I’m talking about the kind of book spam authors receive after they’ve gotten well enough known that spammers think the author might actually have some money, but might still be naive enough to fall for an obvious scam. Newsflash, scammers: I’ve never been that naive.

This post is inspired by an actual email I received this week.

Scammer fail

Maybe I’m just new to the world of scammy solicitations landing in my inbox, but holy scam alert Batman!! Does anyone actually fall for this?

Let’s review what this would-be marketing savant did wrong.

Continue reading “Book Spam!”

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You should be writing. No. Seriously.

I see a lot of motivational posters aimed at authors. You know the ones: a movie character pointing out that you should be writing. Or maybe it’s a pop culture icon. Or maybe the message is framed as a comic strip. Or maybe it’s just a blank page with the words “You should be writing!” emblazoned across it.

And while some are fairly benign, many seem designed to guilt the viewer. I don’t know about you, but I write to feel free of my daily obligations. Writing is my own world, a world free of deadlines and restrictions. The concept of feeling guilty because I haven’t put enough words on paper lately is anathema to the whole reason I write.

Why is it that we, as authors and as a society, conflate guilt with motivation?

Continue reading “Motivation vs Guilt”

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Flood waters and sign

Some time back, a friend posted in a group we both frequent. She was frustrated with the flood of conflicting marketing advice for authors, and listed some of the contradictory advice she’d heard.

  1. Socialize with non-writers on Facebook. Don’t try to sell. Make friends.
  2. Advertise on Facebook.
  3. Advertise on Amazon.
  4. Forget Facebook and Amazon. Focus on Goodreads instead.
  5. Forget Goodreads. LibraryThing is the place to be.
  6. Advertise on other sites.
  7. Give away books on Net Galley.
  8. Don’t give away books for free. It invites pirates!
  9. Give away one book to entice readers.
  10. List with genre sites.
  11. Concentrate on Twitter.
  12. Forget promotion. Sign up with KU.

While I can’t stem the flood of contradictory and often counter-intuitive advice, I can offer my experiences. I spent a lot of time sorting through a veritable avalanche of marketing advice to come up with my strategy. These are my answers, backed up with research and personal experience.

Continue reading “Throttling the Flood of Conflicting Advice”

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Quote from Sam Sykes on Twitter

I stumbled across this tweet the other day and found myself wondering, why shouldn’t I sneer at books that soared to popularity by appealing to the lowest common denominator? Why would I care what makes them tick?

If you’re the kind of author who doesn’t care about the quality of their work nearly as much as becoming famous, you may be thinking “I agree with this tweet! What’s the magic formula that makes inexplicably popular books so successful? And how can I apply it to my own writing?!” In that case, here’s the breakdown.

Continue reading “Tackling More Questionable Writing Advice”

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